Autor: SUW

That’s the theme of the night: „Ich hab ich nicht gewollt“ in many languages, more or less.
Multilingual spoken word (and music) show at Spinner und Weber. Some texts will be in German, some in other languages.

bis dann 🙂

Farah Chamma is a Dubai-born Palestinian poet currently studying philosophy and sociology at
the Paris-Sorbonne University. She began writing poetry at the age of 14 and performing at the age of 16. Farah writes poetry in English, Arabic, and French using a variety of lyrical and linguistic styles. She is currently studying the Portuguese language and plans to start working on multilingual poetry. Farah’s work is mainly promoted through spoken word events and filmed
videos. Her Arabic poem “How Must I Believe?” shot by the FLEX received more than 200,000 views on YouTube. It was the start of her interest in the Arabic language. It made her realise that there is a lack of young, energetic, and spoken Arabic poetry.

Spontane Lesung bei uns!!!

Eintritt Frei

Das belletristische Werk thematisiert das Verhältnis eines Schülers zu seinem Dozenten Joseph Beuys. 10 Jahre nach Beuys Tod wendet sich der Schüler in einem Brief an seinen ehemaligen Lehrer. Im Mittelpunkt steht der innere Prozess der Loslösung, das Hadern mit der dominanten Lehrerfigur und mit der eigenen künstlerischen Identität. Der Verfasser des Briefes wird Anfang der 70er Jahre Beuys’ Schüler an der Düsseldorfer Kunstakademie. Nach dessen Entlassung gehört er zu der kleinen Schar loyaler Studenten, die in der ‚ehemaligen Klasse Beuys’ ausharren bis zur endgültigen Auflösung vier Jahre später. Das tägliche Erleben von Beuys in den ersten Semestern wird zur Offenbarung einer idealen künstlerischen Existenz. Die Schilderung der Akademiesituation orientiert sich an der einschlägigen Beuysliteratur sowie an zahlreichen Gesprächen, die der Autor Tibor Pataky mit ehemaligen Beuysschülern geführt hat. Die Ereignisse rund um die Figur des Briefschreibers, die frei erfunden ist, fügen sich als fiktive Erweiterung in den überlieferten historischen Rahmen ein.

with
Afra Eisma NL
Holger Heissmeyer D
Saori Kaneko JP/D
B.p. Schuett D
Richard Welz D

curation and production: Beatrice Schuett Moumdjian
conception: Holger Heissmeyer & B.P. Schuett

Ausstellungstitel von: Lars Preisser

March 2015

made by us, Gemälde, Saori Kaneko
Fachwerkständer, Beatrice Schuett

Residu, Pigmentmuster auf Boden, Afra Eisma
Wandmalerei, Afra Eisma
Fachwerklesepult 1, Beatrice Schütt
Bergmann mit Fachwerk auf dem Kopf, Beatrice Schütt

Familienpyramide, Beatrice Schütt 

Paintings by Caren Sielaff

Objects by B.P. Schuett

Drawings and animation by Lars Preisser

October 2014

workshoptime =))

zeichne ein spiel, mache ein spiel übers zeichnen oder einfach nur ein spiel, denke nach übers spiel usw.
John zeigt wie es gemacht wird.
also bringt eure laptops.

drawing a game, make a game about drawing or just make a game, think about a game and so on.
John will show you how it can be done.
so bring your laptops.

A kind of surreal machine, half loom half drawer.

by Lars Preisser.

September 2014

Test at SUW before going to Bauhaus Dessau. With the SUW-Crew, Caren Sielaff and John White from Dunedin.

August 2014

Drawing installation by Lars Preisser.

Thematic drawings presented in weekly rotation in wooden cases.

June 2014

Berlin, May 2014

Miau Vartiainen– FAT BOY Fat Boy sells postcards and other memorabilia at the entrace.

Dani Ploeger– Two commodities

ASCENDING PERFORMANCE (2013) A smartphone app available from MiKandi, an online store for adult content for Android phones. The app was advertised simultaneously in Artforum International and on pornhub.com

TERROR (2014) An action film was bought at a Saturn electronics shop. The packaging and the price label were copied 15 times. A new DVD with a video message was inserted into the copied cases. So far, six of these films have been laid out on the shelves of several Saturn branches.

Diana & Gareth Damian Martin– SHARD AND CHAMPAGNE (2014) Diana reviews political speeches on immigration from British politicians under the Conservative-Liberal Democat and New Labour governments. Strategies deployeed within British theatre and performance criticism are applied to evaluating the speeches. The stars on the European Union Flag serve as the rating system. Gareth responds with apolitical cartoons.

Rob Hesp– TRANS.VEST (X4) (2014) Different items of clothing are used as physical restrictions in a repeated choreography.

Jess Barter– TAPE (2014) „Adhesive tape was invented in 1925 as a painters masking tape. “ How It’s Made, Discovery Channel.

Madaleine Trigg– ‚Flagging it up‘ and ‚Casting it away‘

Zac Pointon– Mother Hen (2014) A performance taking place in an inaccessible room; the only proof of any happening comes from documentation created in real time by the performer, given to the audience through a door

Eastman– GUTS shows an adolescent male learning one method of male sexual performance from a homemade rock music tape.

Francis– PIC ME (2014) selfies, a photo booth and a photo shop